Honor

Newman

Honor

Newman

Designer

Spatial/ Experience

Honor

Newman

Designer

Spatial/ Experience

Blurred portrait of a woman with warm skin tones and a purple background.
Blurred portrait of a woman with warm skin tones and a purple background.

(01)

(01)

Space Farming

Interaction Designer, Science Communication 

Blurred portrait of a woman with warm skin tones and a purple background.
Blurred portrait of a woman with warm skin tones and a purple background.

(01)

(01)

Space Farming

Interaction Designer, Science Communication 

Blurred portrait of a woman with warm skin tones and a purple background.
Blurred portrait of a woman with warm skin tones and a purple background.

(01)

(01)

Space Farming

Interaction Designer, Science Communication 

Blurred portrait of a woman with warm skin tones and a purple background.
Blurred portrait of a woman with warm skin tones and a purple background.

(01)

(01)

Space Farming

Interaction Designer, Science Communication 

Blurred portrait of a woman with warm skin tones and a purple background.
Blurred portrait of a woman with warm skin tones and a purple background.

(01)

(01)

Space Farming

Interaction Designer, Science Communication 

Abstract black-and-white image of sweeping curved bands with speckled texture.
Abstract black-and-white image of sweeping curved bands with speckled texture.

(02)

(02)

Digital Wellness

Assistant Curator, Exhibition Spatial Designer

Abstract black-and-white image of sweeping curved bands with speckled texture.
Abstract black-and-white image of sweeping curved bands with speckled texture.

(02)

(02)

Digital Wellness

Assistant Curator, Exhibition Spatial Designer

Abstract black-and-white image of sweeping curved bands with speckled texture.
Abstract black-and-white image of sweeping curved bands with speckled texture.

(02)

(02)

Digital Wellness

Assistant Curator, Exhibition Spatial Designer

Shiny container with sculptural form and shine
Shiny container with sculptural form and shine

(03)

(03)

SWIPE

Assistant Director, Editor, Animator, Scenographer

Shiny container with sculptural form and shine
Shiny container with sculptural form and shine

(03)

(03)

SWIPE

Assistant Director, Editor, Animator, Scenographer

Shiny container with sculptural form and shine
Shiny container with sculptural form and shine

(03)

(03)

SWIPE

Assistant Director, Editor, Animator, Scenographer

Pearlescent glossy white cream swirl with fine sparkles on gray.
Pearlescent glossy white cream swirl with fine sparkles on gray.

(04)

(04)

Once Upon A Time Earth

Scenographer and Assistant Curator

Pearlescent glossy white cream swirl with fine sparkles on gray.
Pearlescent glossy white cream swirl with fine sparkles on gray.

(04)

(04)

Once Upon A Time Earth

Scenographer and Assistant Curator

Pearlescent glossy white cream swirl with fine sparkles on gray.
Pearlescent glossy white cream swirl with fine sparkles on gray.

(04)

(04)

Once Upon A Time Earth

Scenographer and Assistant Curator

(05)

(05)

Objects For A New Kind Of Society

Project Management

(05)

(05)

Objects For A New Kind Of Society

Project Management

(05)

(05)

Objects For A New Kind Of Society

Project Management

(06)

(06)

Roamly Visual Campaign

Designer/ Prompt Engineer

(06)

(06)

Roamly Visual Campaign

Designer/ Prompt Engineer

(06)

(06)

Roamly Visual Campaign

Designer/ Prompt Engineer

  • Scenography

    (01)

  • Curation

    (02)

  • Spatial Design

    (03)

  • Visual Design

    (04)

1

08/26

Space Farming

Interaction Designer

In collaboration with MELiSSA Foundation (European Space Agency’s pioneering circular life-support system project), I served as concept designer and animator for projection-mapping installation. I developed the visual concept and animated sequences to communicate how the MELiSSA mission uses fully regenerative systems to recycle waste into food, oxygen and water for long-term spaceflight.

1

08/26

Space Farming

Interaction Designer

In collaboration with MELiSSA Foundation (European Space Agency’s pioneering circular life-support system project), I served as concept designer and animator for projection-mapping installation. I developed the visual concept and animated sequences to communicate how the MELiSSA mission uses fully regenerative systems to recycle waste into food, oxygen and water for long-term spaceflight.

2

12/24

Digital Wellness

Spatial Designer

Rather than completely disconnecting, the Digital Wellness Center challenge you to explore how technology can actually contribute to their well-being. The exhibition offers a combination of interactive installations and soothing environments to understand and deal with digital overload.

2

12/24

Digital Wellness

Spatial Designer

Rather than completely disconnecting, the Digital Wellness Center challenge you to explore how technology can actually contribute to their well-being. The exhibition offers a combination of interactive installations and soothing environments to understand and deal with digital overload.

3

12/22

SWIPE

Scenographer

A series of animated work for an app and event at Nxt Museum Amsterdam. SWIPE is a typographic movie looking at the effects of the smartphone. My role was Assistant director, animator and video editor.

3

12/22

SWIPE

Scenographer

A series of animated work for an app and event at Nxt Museum Amsterdam. SWIPE is a typographic movie looking at the effects of the smartphone. My role was Assistant director, animator and video editor.

4

02/26

Once Upon A Tme Earth

Spatial Designer

"Once Upon a Time Earth" during Future Earth . This exhibition is part of Next Nature Museums permanent exhibition which tells the story of how life on Earth originated and how we as humans are part of that living system.

4

02/26

Once Upon A Tme Earth

Spatial Designer

"Once Upon a Time Earth" during Future Earth . This exhibition is part of Next Nature Museums permanent exhibition which tells the story of how life on Earth originated and how we as humans are part of that living system.

5

05/26

OFANKOS

Project Manager

In collaboration with London-based futures consultancy The Future Laboratory – Dutch Invertuals reflected on the growth of cities and how it’s impacting wellbeing. With supply chain disruption, stark inequalities between citizens, and a lack of green spaces – the pandemic has shown how fragile cities are. Through ‘Objects for a New Kind of Society’ Invertuals explored how to pivot towards an environment that focuses on a city’s flexible living, collective ownership, evolving identities, and nature-focussed initiatives.

5

05/26

OFANKOS

Project Manager

In collaboration with London-based futures consultancy The Future Laboratory – Dutch Invertuals reflected on the growth of cities and how it’s impacting wellbeing. With supply chain disruption, stark inequalities between citizens, and a lack of green spaces – the pandemic has shown how fragile cities are. Through ‘Objects for a New Kind of Society’ Invertuals explored how to pivot towards an environment that focuses on a city’s flexible living, collective ownership, evolving identities, and nature-focussed initiatives.

About

I'm a designer based in The Hague, working across spatial, exhibition, and multimedia design. I've spent the past four years as Exhibition Spatial Designer and Scenographer at the Next Nature Museum, and previously lectured at the Royal Academy of Art, The Hague. My scenographic practice is grounded in architectural phenomenology, I build environments imbued with personal, cultural, and emotional meaning, working at the intersection of architecture and storytelling to create immersive, participatory experiences. Alongside this, I bring strong digital production skills to produce high-quality visual content for installations, campaigns, and digital platforms.

I'm a designer based in The Hague, working across spatial, exhibition, and multimedia design. I've spent the past four years as Exhibition Spatial Designer and Scenographer at the Next Nature Museum, and previously lectured at the Royal Academy of Art, The Hague. My scenographic practice is grounded in architectural phenomenology, I build environments imbued with personal, cultural, and emotional meaning, working at the intersection of architecture and storytelling to create immersive, participatory experiences. Alongside this, I bring strong digital production skills to produce high-quality visual content for installations, campaigns, and digital platforms.

11

Over 11 years designing spaces, as a structural engineer, then a designer/project manager, before moving into spatial and exhibition design. Working across those disciplines means I bring more than an eye for a space: I understand how it stands, how a project runs from proposal to delivery, and how people move through and experience the result. It's a cross-boundary skill set that lets me speak fluently with engineers, contractors, clients and design accordingly.

11

Over 11 years designing spaces, as a structural engineer, then a designer/project manager, before moving into spatial and exhibition design. Working across those disciplines means I bring more than an eye for a space: I understand how it stands, how a project runs from proposal to delivery, and how people move through and experience the result. It's a cross-boundary skill set that lets me speak fluently with engineers, contractors, clients and design accordingly.

7

Seven years designing with immersive tech, from AR filters and interactive motion to AI assisted visual campaigns. I bring an exhibition designer's eye for spatial storytelling to fast-moving digital and social content, working fluently across generative AI tools like Flora and the traditional design toolkit.

7

Seven years designing with immersive tech, from AR filters and interactive motion to AI assisted visual campaigns. I bring an exhibition designer's eye for spatial storytelling to fast-moving digital and social content, working fluently across generative AI tools like Flora and the traditional design toolkit.

4

4 years producing and designing exhibitions, translating curatorial concepts and artistic research into physical, spatial experiences; scenography for public programmes and symposiums, exhibition concepts developed from first idea through to installation, and interactive design that brings static work to life. I work directly with artists, curators, and technical teams to turn a concept into something visitors can walk through.

4

4 years producing and designing exhibitions, translating curatorial concepts and artistic research into physical, spatial experiences; scenography for public programmes and symposiums, exhibition concepts developed from first idea through to installation, and interactive design that brings static work to life. I work directly with artists, curators, and technical teams to turn a concept into something visitors can walk through.

Portrait

MA

MEng

Diploma

Honor

Honor

Newman

Newman

Hand silhouette holding a smartphone with a glowing red screen.